Interpretation Laboratory II Review of Oral Manifesta 7 by 10 editors, moderated by Elvira Vannini, Bologna After a private conversation, 14 young Italian curators will present to the public a review of Manifesta 7. Wednesday, September 10th, open to the public from 15 hours 
Reflecting more specifically "industry" is proposed instead in Intepretation Laboratory II, scheduled for September 10. Tabula Rasa in this case will offer your space to a group of young Italian curators. The editors will meet in closed session to discuss all four exhibitions of Manifesta 7. The debate will revolve around to some of the most interesting topics for future developments of the discipline and curatorial practice, exhibition: What is the role of major exhibitions on a regular basis in the contemporary art world, they are still a vehicle for innovation, or rather they are now placed in the mechanisms of market? What are the future of Manifesta reasons, one of the most experimental Biennials last two decades, in a globalized world? And yet, such as the hazards of Manifesta 7 worthy of attention? What are the critical elements of stress? What's not to like? Gained overall review, Tabula Rasa will be open from 15 hours for a public review in which the opinions and ideas will be synthesized and will be compared. Tabula Rasa is a project by Denis Isaia in the Ex-Alumix of Bolzano, the discussion of the Laboratory of Interpretation will be moderated by Elvira Vannini, critic and independent curator of Bologna. Speakers with Denis Isaia and Elvira Vannini young curators Chiara Agnello, Katia Anguelova, Marco Baravalle, Eva Fabbris, Antonio Grulli, Caterina Iaquinta, Matteo Lucchetti, Natalicchio Cristina, Francesca Pagliuca, Paolo Plotegher, Angela Serino and Elisa Tosoni.
press-to-Alto Adige Page 47 - Culture and Society 'CURATORS PERPLESSI Tabula Rasa, all of Fort pero'piace Roberto Rinaldi Manifesta7? "Too shy and understated! - Defines it this way '- Cristina Natalicchio, curator of the Galleria Civica di Trento, "but we do not want to talk about failure. Manifest Through a cooling-off period as it is a biennial militant, experimental and non-normalizing. " Antonio Grulli, independent curator, "After seven editions of Manifesta e'diventata tired. The goal was to make a nomad in the so-called unknown territories, lands that host border partnerships. " These are some of the reflections arising from the encounter between young curators who have gathered to discuss the impact of Manifesta 7 in the region, putting the question: "He rejected our expectations or the subject-centered?". The invitation e'partito from "Tabula Rasa", the special projects Denis Isaia, assistant to the curatorial project of Bolzano, one of the four locations of the European Biennial of Contemporary Art, housed in the former Alumix. A critical review of the show that he is not receiving public success hoped for. The other afternoon in the exhibition, visitors could be counted on the fingers of one hand, while the "school of interpretation," moderated by Elvira Tannins, an independent curator of Bologna, addressed a discussion based on different questions, all aimed at understanding what e'piaciuto and what is not understood in the Manifesta 7 draws. Questions such as: "The nomadic nature and his existence allow itinerant Manifesta to renew and reinvent themselves every year? "." He needs a review? "-or-" The 2008 has fulfilled the task of creating a work platform and a laboratory to translate the complex geographies of the changing ? Must / can 'have geopolitical ambitions? What to expect and what they think the visitors? What led to the flop of the public? "Questions divided into separate groups and discussed (in a first phase) in camera. Analyze the resulting criticita'e agreed, e'potuto will attend a debate, even if somewhat self-referential. It has been the sensation of listening to the comments geared to examine all components structural and conceptual Manifesta, The possibility of reserving the right to criticize cio'che also draws a vision of people. "It is a fortress where the desired experimental collaboration is e'potuta verify. The building container It is very strong. The decision to host Manifesta in Trentino Alto Adige e'avvalsa disponibilita'di of venues, rich in history, the contribution of geo-political Rovereto, Trento and Bolzano, the trans-cultural ', but also two different organizational offices (the two provinces, ed) separate parties with different times. These are all aspects imploded. After a withdrawal cipro c'e'stato to art exhibitions. " It has been canceled at the last edition Three months after opening for political reasons. A realta'lontana from ours, but the thread that binds the edition until November 2, e'rappresentato discussed the theme, that of the binding of the territory. Baravalle Marco, Venice of the Magazzini del Sale had no doubts: "I'm skeptical, thinking that the biennial could talk, catalyze the territory that is home." Antonio Grulli expressed his opinion about the shows visit: "Rovereto curatorial approach unattractive. Bolzano I do not like, I find it also less attractive than other places, among them the works on display do not work in here (ex Alumix, ed), although individually they have their value. Do not throw away all but '. " Caterina Iaquinta dell'Universita'la Sapienza of Rome has also denounced "the lack of full cooperation between the four groups of curators." Chiara Agnello e'chiesta although "the big biennials can still do research in an innovative manner and which are the sites of major exhibitions, citing Fortress - piu'aperto comparison site. The seat of the Palazzo delle Poste in Trento is judged to be "impeccable - from Elvira Tannins-a space within Musala, but It is a cliche '? A method that most dare not '? Also draws a critical signal to wonder why Manifesta did not reach the other regions. Manifesta but must have a local role or global? Grulli has no doubts: "The room must be taken seriously, but we need to look beyond" Elisa Tosoni assistant curator of Tabula Rasa, finally, e'chiesta what are the relations between Trento and Bolzano. "Before analyzing Manifesta, the reports should be analyzed, and this was the task of Manifesta: the relationship with the institutions, the public and the growth of consensus. All very high ambitions. " Ambitions discussed at length.
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